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Roots of the 1969 Woodstock Festival

Edited by Weston Blelock and Julia Blelock

  • Finalist at the National Best Books 2009 Awards

This book explores the roots of the 1969 Woodstock Festival. It explains definitively and for the first time why the festival was named Woodstock, and why it continues to be so closely associated with the eponymous art and music colony in upstate New York—even though the concert actually took place close to sixty miles to the south and west, in Bethel, NY.

Project Launch

The Roots book began as a panel discussion among townspeople conversant with the music scene in the late sixties. It was held on August 9, 2008, at the Colony Café in Woodstock (and followed by a contemporary “Sound-Out“). Panelists included Michael Lang, a Woodstock resident and legendary 1969 Woodstock Festival promoter; Jean Young, a co-author with Lang of Woodstock Festival Remembered; Bill West, active in local government since the 1960s; Jeremy Wilber, former Town Supervisor and bartender during the sixties at the Sled Hill Cafe; and Paul McMahon, a local music icon. During the course of the wide-ranging conversation the audience learned how Lang and his partners developed the concept for the world-renowned “Woodstock Music and Art Fair,” (as the 1969 Woodstock Festival was originally known) and how their thinking was shaped by Woodstock’s legacy of art and music festivals.

What’s in the Book

Included are the transcript of a 2008 panel discussion between Michael Lang and other individuals knowledgeable about 1960s Woodstock; a “roots of Woodstock” photo essay that highlights such Woodstock writers and performers at Bob Dylan, Jimi Hendrix, Janis Joplin, Allen Ginsberg, Pete Seeger and Richie Havens; a chronicle of the Arts and Crafts origins of the town from the 1800s; and an exploration of the town’s hallowed tradition of weekend-long music concerts. Roots also features a compendium of important Woodstock players, a map of historic sixties locations in the Woodstock area, and 115 images—many of them rare, vintage photos of the Woodstock music and art scenes.

More About the Roots Book

Published 2009; first edition; ISBN 97809679858; soft cover, perfect binding; 5½ x 8½ inches; 160 pages, 2 maps, 115 black and white images. Front matter: maps, foreword, introduction and list of major players. Back matter: questions prepared for the August 9, 2008 panel discussion, panelist bios, August 9, 2008 Sound-Out program, sources, acknowledgments, editor bios and index.

List price: $19.95 / sale price on this site: $15.95; shipping within U.S. only.

About the Authors/Editors

Weston and Julia Blelock have had a presence in the Woodstock area since 1956. During the sixties Weston as at school in the UK, but summered in Woodstock. He attended several Sound-Outs and the ’69 Festival in Bethel. During the 1990s he was a radio journalist in Canada. More recently he co-founded WoodstockArts, a publishing and production company. He was formerly Vice President of the Historical Society of Woodstock.

Julia Blelock also grew up in Woodstock. She left town to pursue a marketing career in information technology, based in New York City and Los Angeles. She recently returned to Woodstock and has become an ardent promoter of area artists and the environment through her work for the Woodstock Chamber of Commerce & Arts and the Woodstock Environmental Commission. She is a co-founder of WoodstockArts.

Roots of the 1969 Woodstock Festival
Edited by Weston Blelock and Julia Blelock. List price: $19.95. Sale price: $15.95.

“[One of] a festival of books as Woodstock turns 40. Transcript of a 2008 panel discussion with Michael Lang and locals who were there.” —<i>Publishers Weekly</i>

“A thoughtful, profusely illustrated preserve of American history, highly recommended for lay readers and serious students of the Woodstock event alike.” —<i>Midwest Book Review</i>; five-star Amazon.com rating

“An excellent book filled with many Woodstock memories. The photos alone are worth the price.” —Norm Goldman, Bookpleasures.com

“Primarily a transcript of a 2008 panel discussion on the events leading up to Woodstock; a 50-page black-and-white photo essay at the end of the book refreshingly cuts back to the folk roots and the Arts and Crafts heritage of the Woodstock Music and Art Fair.” —<i>Library Journal</i>

“The book is a fascinating read: there’s an interesting story on every page, and it is a must-have for anyone interested in the Woodstock Festival, the history of Woodstock or the counterculture movement in the United States.” —<i>Catskill Mountain Region Guide</i>

“The meat of the book is the transcript . . . The book also features vintage photographs of the Town of Woodstock and plenty of references. By focusing on the town’s philosophies and history, the book certainly adds a new and rarely sought angle on the festival. And it’s a welcome angle.” —<i>Times Herald-Record</i>

“The Blelocks grew up in Woodstock, left and returned. Their unusual volume details events that led up to the festival. It also contains a section about the musical history of Woodstock leading up to the festival.” —Albany<i> Times Union</i>

“Primarily comprised of a transcript from a symposium on the Sound Outs and bohemian flavor of the town prior to 1969 that took place last August, the book is worth owning for its Who’s Who of local characters and surprisingly evocative (and telling) superbly-captioned photos, filled out with info and anecdotes from a series of interviews the Blelocks conducted in recent years. As strong a glimpse of what the town was 40 and 50 years ago as any description found elsewhere.” —<i>Woodstock Times</i>

“Transcript of 2008 discussion about how musical “Sound-Outs” in town of Woodstock inspired the ’69 event in Bethel.” —<i>Newsday</i>

“Delves deeper into the background of the festival than any other recent title.” —<i>ForeWord</i>

“For those wishing to know more about the upstate New York culture that gave rise to the Woodstock festival, [this book] examines the area’s burgeoning music scene, including the open-air Sound-Out[s] that inspired Michael Lang’s festival concept.” —<i>Billboard</i>

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